Murderer
Let's consider a piece by Bihzad, the master of masters, patron saint of all miniaturists. I happened across this masterpiece, which also nicely pertains to my situation because it's a depiction of murder, among the pages of a flawless ninety-year-old book of the Herat school ..... it recounts the story of Khosrow and Shirin. You, of course know the fate of Khosrow and Shirin, I refer to Nizami's version, not Ferdosi's:
The two lovers finally marry after a host of trials and tribulations; however, the young and diabolical Shiruye, Khosrow's son by his previous wife, won't give them any peace. The prince has his eye on not only his father's throne but also his father's young wife, Shirin. Shiruye, of whom Nizami writes, "His breath had the stench of a lion's mouth", by hook or crook imprisons his father and succeeds to the throne. One night, entering the bedchamber of his father and Shirin, he feels his way in the dark, and on finding the pair in bed, stabs his father in the chest with his dagger. Thus, the father's blood flows till dawn and he slowly dies in the bed that he shares with the beautiful Shirin, who remains sleeping peacefully besides him.
This picture by the great master Bihzad, as much as the tale itself, addresses a grave fear I've carried within me for years: The horror of waking in the black of night to realize there's a stranger making faint sounds as he creeps about the blackness of the room! Imagine that the intruder wields a dagger in one hand as he strangles you with the other. Every detail, the finely wrought wall, window and frame ornamentation, the curves and circular designs in the red rug, the color of the silent scream emanating from your clamped throat and the yellow and purple flowers embroidered with incredible finesse and vigor on the magnificent quilt upon which the bare and vile foot of your murderer mercilessly steps as he ends your life, all of these details serve the same purpose: While augmenting the beauty of the painting, they remind you just how exquisite are the room in which you will soon die and the world you will soon leave. The indifference of the painting's beauty and of the world to your death, the fact of your being totally alone in death despite the presence of your wife, this is the inescapable meaning that strikes you.